Dear SALALM members:
I would like to thank Daisy Dominguez and Melissa Gasparotto for all their work on the new SALALM website! As you know, the SALALM Newsletter has been incorporated into the site, and will no longer be published in print form. Several questions remain about content, advertising and updating of the site; these will be addressed throughout the year and at our next meeting. Please contact Daisy or Melissa if you notice any errors or omissions.
Planning is underway for the 57th annual meeting in Port of Spain, Trinidad & Tobago. As I hope all you know by now, we will meet June 16-19, 2012, and our theme will be Popular Culture: Arts and Social Change. Please see the complete description on the Conference section of this website. I look forward to your proposed papers, panels and presentations. I am also counting on your assistance in advertising the conference with colleagues at your institutions in the U.S. and elsewhere.
I am happy to report that the University of Miami and Florida International University have issued a joint invitation to SALALM for the 58th annual SALALM meeting in 2013. The Executive Committee has accepted this invitation on a provisional basis, pending the vote of the full Executive Board next June. We are very grateful to be able to rely on this early offer, which will aid considerably with future planning!
Please note that a new SALALM Scholarship has been established “to encourage professional and leadership development in Latin American and Caribbean Studies librarianship.” It is intended for master’s candidates in information or archival studies programs in the US. $1000 will be awarded annually, commencing in December 2011. The award will include a one-year SALALM membership. Please see the application on this website, and share it widely with colleagues in your area.
El cine como historia; la historia como cine: Simposio internacional sobre cine iberoamericanowas held at the Harvard University Film Archive from May 7-9, 2010.
Among the many presenters were Néstor García Canclini (UNAM), who wondered (as did other presenters) whether there is such a thing as Ibero American cinema in this age of co productions, television-sponsored films (HBO), and international financing. Juana Suárez (Univ. of Kentucky) and Gonzalo Aguilar (U. Buenos Aires) spoke about the international and multi-national nature of Ibero American film as well.
Historical memory and documentary film in Spain was a major topic, addressed by Ignacio Oliva Mompeán (Univ. de Castilla-La Mancha), Francisco A. Zurian (Univ. Carlos III) and Josetxo Cerdán (Univ. Rovira I Virgili). Oliva Mompeán discussed films made outside of Spain that address events of the Spanish Civil War: Muerte en el valle (Cristina Hardt) and Land and Freedom (Ken Loach) are two of them; to date few films addressing historical memory of the period have been made in Spain. He referenced the website “Imágenes contra el olvido” (http://www.imagenescontraelolvido.com/) which archives 13 such films.
From Cuba, Juan Antonio García Borrero (Camaguey) spoke about “ICAICentrismo” in Cuban film history, mentioning films produced by organizations and people outside of Cuban National Film Institute, and Luciano Castillo (San Antonio de los Baños) discussed the productions of Cuba Sono Film. Both García Borrero and Castillo have published extensively on film in Cuba.
Other notable speakers were Jorge Ruffinelli (Stanford Univ.), who discussed the work of Glauber Rocha while in Cuba; Román Gubern (Univ. de Barcelona), on anti-Semitism in Spanish postwar cinema, and Leonardo García Tsao (Cineteca Nacional de México) on Mexican cinema.
Laura Baigorri (Univ. de Barcelona) gave a presentation on video art in Latin America and discussed the project “Videoarde” (http://videoarde.com/). This presents a series of workshops, links, and publications; she hopes to develop a database of Latin American video art as part of the project.
The Colombian film director Víctor Gaviria presented three of his films: Vendedora de rosas, Medellín: sumas y restas and Rodrigo D no futuro and held discussions after each with Jorge Ruffinelli.
Jet setting librarians Patricia Figueroa (Brown Univ.), Jesús Alonso Regalado (SUNY Albany) and Lynn Shirey (Harvard) were in attendance and purchased copies of titles on Cuban film for their collections.
Lynn Shirey (Harvard University)