Currently viewing the tag: "Molly Molloy"

Moderator:      Alison Hicks, University of Colorado, Boulder
Rapporteur:    Melissa Gasparotto, Rutgers University

Presenters
Paula Covington, Vanderbilt University
Latin American Digital Projects: Student, Faculty and Library Collaborations at Vanderbilt University

Anne Barnhart, University of West Georgia
Because Learning Is Not Just for Students: Information Literacy for Faculty

Sarah Buck Kachaluba, Florida State University
Follow Up to “From Dub Assessment to Smart Assessment”: Adaptions for FSU Libraries

Suzanne M. Schadl, University of New Mexico
Tagging ASARO: A UNM Experiment in Crowd-Sourcing and Collection Development

Daisy V. Domínguez, The City College of New York Libraries (CUNY)
Teach With Music

Molly E. Molloy, New Mexico State University
The Femicide Fallacy

Barbara Alvarez, University of Michigan
Don Quixote in English: A Chronology: A Digital Humanities Project for the Classroom

Paula presented on a Dean’s fellows program at Vanderbilt Libraries to pair advanced undergraduates and graduate students with a librarian mentor, usually to work on digitization projects (this can include metadata, digitizing, etc.). Many students end up using these digital collections when working on their dissertations, too.

She gave several examples of current fellows and their projects.

●       Helguera Collection of Colombiana
This Colombia-in-the-19th-century project includes descriptive thematic essays. The essays are done as a separate independent study. The collection includes broadsides, pamphlets and programas.
●       Oral histories from the Manuel Zapata Olivella Papers
Zapata Olivella was an Afro-Colombian novelist and anthropologist. The collection includes transcriptions of interviews with ancianos that students in colegios across Colombia interviewed. The hope is to add tapes at some point.
●       Ecclesiastical & Secular Sources for Slave Societies
This project digitally preserves Cuban, Colombian and Brazilian church and clerical documents relating to Africans and Afro-decedents. Among its uses is genealogy.

Anne Barnhart, University of West Georgia
Because Learning Is Not Just for Students: Information Literacy for Faculty

Anne presented on teaching information literacy workshops for faculty at University of West Georgia. She noted that faculty may have tunnel vision, and can be hard to reach with librarians’ information literacy message. They’re pulled in several directions already, but are also envious that librarians have the opportunity to go to conferences where they learn to teach and about new research in pedagogy. Anne established a workshop series called “GoodLibrations: Because learning is not just for students,” in response to this need. She provided food and alcohol as an incentive to attend.

Some of the topics included: leveraging Google apps, information ethics, using Adobe Creative Suite, practices for teaching critical thinking, Endnote, a celebration of faculty research that was especially popular, and a promotion & tenure dossier workshop. The topics were chosen by questionnaire.

Anne also helped plan and organized the Innovations in pedagogy conference, to address lack of pedagogy instruction for faculty. To help learn about how to teach faculty, she attended POD.

Sarah Buck Kachaluba, Florida State University
Follow Up to “From Dumb Assessment to Smart Assessment”: Adaptions for FSU Libraries

Sarah attended the “From Dumb Assessment to Smart Assessment” session at SALALM and got a lot out of it. She incorporated a version of that workshop into the FSU Libraries public services retreat. She developed 3 power points (active learning, writing student learning outcomes and one on assessment) that were heavily cribbed from Alison Hicks, Anne Barnhart, Meghan Lacey & AJ Johnson. She also developed templates for writing student outcomes for different disciplines. A few liaisons who did a lot of instruction found it very useful.

There were, however, limitations: some folks in mid management were pulled away in the middle and they would have benefitted. Moreover, nly public services librarians were there so some liaisons missed out.

Sarah detailed the ways she’s incorporated these strategies into her own instruction:

●       She’s started handing out worksheets for students to work in pairs to brainstorm resources they could use to find primary and secondary sources, and posting these worksheets on a wall so others could provide feedback. This didn’t work very well, so now she’s developed pre and post-session assessment handouts.

  • The pre- asks students why their research topics are and to identify things they want to learn during the session.
  • The post- asks for 1-3 things students learned and 1 thing they want to learn in the next sessions

She has gotten positive feedback from this
●       Sarah has also developed and taught a 3-hour session, where she used the worksheet again. This gave her productive feedback to use as they searched. She asked students to send her one resource they found during the session but few followed through.

The assessment workshop skills she learned have also helped her in other ways: she recently was able to help a colleague who needed to write student learning outcomes for a conference panel proposal.

Suzanne M. Schadl, University of New Mexico
Tagging ASARO: A UNM Experiment in Crowd-Sourcing and Collection Development

Suzanne talked about her work on the exhibit, Tagging ASARO: UNM experiment in crowd-sourcing and collection development (done with Mike Graham de la Rosa among others) at the National Hispanic Cultural Center.

Various people were involved in the design of the exhibit, including Americorps interns who brought their own stenciling art skills to the installation because of how inspired they were by ASARO’s work.

ASARO: Assembly of Revolutionary Artists of Oaxaca  is participatory and about “getting up” and getting the word out. They use varied formats and venues. The goal of the exhibit was to transform and reframe work of this collective for the in the spirit of their own work but in a different context. The exhibit alters the context and creates dialogue – making connections between Oaxaca and Albuquerque. Suzanne has been working with Archive-it to archive digital files uploaded to ASARO website

The crowdsourcing element of the exhibit involved asking visitors to “tag” items using notecards. This was designed to foster community engagement with library. This crowdsourcing wasn’t so much about outsourcing descriptions and metadata but rather a “getting up” community response in the archives. (There was an issue with word “tag” and it’s multiple meanings. So it was important to encourage people to tag but not bring spray paint!)

There are going to be 5 community forums around the exhibit. The first one was a poetry slam with Nolan Eskeets. The tags and performances from this event are now part of this collection as well.

In two months they’ve had many cards posted, but nothing from the online component has been tagged. There is one place where comments not being posted. -The cave. This is in a different media format, so perhaps visitors are less able to interact with it than something in a frame on a wall.

Daisy V. Domínguez, The City College of New York Libraries (CUNY)
Teach With Music

Daisy observed that film is a preferred AV teaching tool in the classroom. She sent out a survey for Latin American Studies faculty on use of AV in LAS teaching. One professor suggested making a database, which she did using Omeka and it’s called Teach with Music. Currently it is hosted on her personal website: daisilla.org/omeka

The database includes titles of songs along with subjects, tags, a description, and how it can be used in education, all of which is contributed from LAS faculty. She demonstrated the usefulness of the database by playing some clips. One song about Oscar Romero has been used to talk about the church in a positive way via church activism. Another song, Zumbi by Jorge Ben, was suggested by a professor because it can be used to talk about plantation work by maroons, and the complexity of slave experience.

There are plans to connect this database to other databases like HAPI to help give thematic context to the themes explored in the songs.

Molly E. Molloy, New Mexico State University
The Femicide Fallacy

Molly presented about the news coverage about Juarez that has been dominated by femicide. She described the sensationalized coverage of sexualized murders of women in Juarez, arguing that this is not representative of the facts, and distracts from the problems facing the city. The picture is much more complicated that presented in the media because women are killed for a variety of reasons that may not have to do with their gender. She documented the various movies, books and pop culture references to the murders of women in Juarez, noting that much of the “information” available is speculation and not founded by reputable sources. The main book responsible for this perception is Cosecha de Mujeres, which brought the issue to public recognition, but the book is very poorly sourced.

Actual numbers reveal that a small percentage of homicides are women (9% of victims on average over 24 years). By comparison, in US that percentage is 22%. The Philadelphia Inquirer did an interactive database with charts of murders by gender, comparing Juarez and Philadelphia (because Philadelphia is similar in population). Juarez numbers are much higher for most years. However at the peak of hyper violence beginning in 2008, the rate really spikes incredibly. Women’s rates go up in tandem with men’s, however, not nearly as much. But both are higher than rates of murder in Philly. The murder rate spiked in 2008-2011, but is now on steep decline. In news articles searching, 9.2% of articles about Juarez are about femicide but in academic literature number that is 44%. The scholarly attention is out of proportion with reality.

There is a sense in the media that men killed in Juarez deserve it because they must be involved in narco-business, which is why there is so much less coverage of the hyperviolence that predominantly affects men.

Molly described many of the more commonly heard fallacies:

●       Thousands of factory girls have been raped mutilated, etc.

  1. 3/4 of deaths are domestic violence and only 12 out of 427 cases show mutilations

●       Since hyper violence began, women killed in same way that men are
●       Most of the women’s murders are unsolved because they are not cared about,

  • In truth there is a lack of prosecution across the board

She closed by reiterating that all of the lives lost in Juarez matter, not just women. All people are victims. Focusing on the deaths of women distracts and prevents people from dealing with the widespread slaughter of men and women.

Barbara Alvarez, University of Michigan
Don Quixote in English: A Chronology: A Digital Humanities Project for the Classroom

Barbara talked about the development of an online interactive chronology of translations of Don Quixote into English. At the University of Michigan, there are themed semesters. One semester the theme was language and translation, and the libraries and departments put on events to highlight that theme.

Barbara wanted to highlight the collections and also digital humanities with her project, so she developed a digital chronology project of the various editions of Don Quixote in English. It covers 1612 to the present day. For each entry they created bibliographic information with book cover images (if that title was available in their own collection), and linked to all editions of that particular translation available in the catalog. After the first version of the project, students worked to redesign it and augment it for usefulness. More features were added and the layout and design were made friendlier. A comparison feature was added in, which allows users to compare the original to various translations or to compare one translation to another. A bibliography was included as well, with information on various translations.

Gains from the project included:

●       Students were so engaged with and excited about the project.
●       Gaining new insights into the history of Don Quixote translations
●       Learning about research methods in Digital Humanities
●       See Digital Humanities in action through the Hispanic Baroque and The Cervantes Project
●       Learning about web design and accessibility
●       Having a librarian embedded in the course

QUESTIONS
None

Panel 5, May 30, 2011, 4:00 pm- 5:30 pm
Moderator: Peter Stern, University of Massachusetts
Presenters: Molly Molloy, New Mexico State University (not present; PowerPoint presented by Peter Stern); Tomás Bocanegra Esqueda, Colegio de México; Suzanne Schadl and Claire-Lise Bénaud, University of New Mexico
Rapporteur: Sócrates Silva, HAPI

 

The first presentation was “The Shifting Realities of Mexico’s Drug War Death Toll: Will We Ever Know How Many People Have Died?” by Molly Molloy. Molloy was not present but the panel’s moderator, Peter Stern, presented her PowerPoint. The following is a summary of Molloy’s presentation, drafted with her consultation. Molloy argues that the Mexican government is not fighting a “War on Drugs” but rather a war for the control over the huge amounts of money to be made from the drug trade. The number of casualties related to this war and the statistics released by the government are not clear; journalistic and academic sources in Mexico and the United States provide widely varying numbers. Since December 2006 when the government of Felipe Calderón declared “war” on organized crime numbers range from 35,000 to as high as 50,000. Molloy’s presentation looks at and questions these numbers both to critique the actions of the Mexican government and to question the numbers reported by academic resources and the press.

 

In her presentation, Molloy hones in on data regarding Ciudad Juárez, the epicenter of the violence. When numbers of dead are reported in the media, sources are typically government bodies such as the Fiscalia General del Estado de Chihuahua. Mexican journalists who report on crimes are often at risk. Molloy mentions Armando Rodriguez, a crime reporter for El Diario who was murdered in November 2008. After his death the crime reporting in the paper became less detailed and solely dependent on official police reports. There is little information about where the numbers come from or how the government determines what “a drug-war-related homicide” is. Calderón and his government repeatedly claim that 90 percent of the dead are criminals in the drug trade, despite a claim by the government that 95 percent of deaths in the “drug war” are not investigated.

 

Molloy also looks at the scholarship and activism concerning the murders of women in Juárez as cases of femicide. The number of women victimized from 1993 to the present has averaged around 9 percent of all murder victims. There is little evidence of gender-related violence. More and more women are becoming involved in illegal activities as maquiladora jobs disappear due to both the economic collapse in the United States and local violence and insecurity. This of course , how to make, does not mean that their deaths do not matter but rather that all the people of Juárez (women, men, boys and girls) – their lives and their deaths, all of them matter. Molloy whose work was recognized in 2011 with the José Toribio Medina Award provides daily updates on the murder toll in Ciudad Juárez and other border news through her Frontera List.

 

The second presentation by Tomás Bocanegra Esqueda entitled “Literatura mexicana sobre los derechos humanos: ¿quienes son y dónde publican los especialistas mexicanos?” covered publishing sources on the theme of human rights. Bocanegra first outlined government sources specializing in this material. The Comisión Nacional de los Derechos Humanos (CNDH) created by the Secretaría de Gobernación and after 1999 fully independent of the government, exists to receive human rights complaints, pursue investigations, attempt conflict resolution, and foster legislative changes across various levels of government. CNDH also offers relevant Masters and Doctoral programs through its Centro Nacional de Derechos Humanos (CENADEH). Through its existence CENADEH has generated promotional literature, annual reports, monographs and a monthly journal, Revista del Centro Nacional de Derechos Humanos. Bocanegra also reviewed literature production by state government bodies, though these tend to publish less due to lack of financial resources and staff.

 

In addition, non-governmental organizations such as the Academia Mexicana de Derechos Humanos, the Centro de Derechos Humanos “Fray Francisco de Vitoria,” and the Centro de Derechos Humanos Miguel Agustín Pro Juárez all publish materials and research related to human rights and many of these publications can be found online. There are also numerous research institutions within universities, some with a specific focus on such issues as indigenous rights, migration, or international human rights. Bocanegra also looked at houses within the trade publishing industry that have edited and published human rights materials. By outlining these various publishing sources, Bocanegra hopes for more effective dissemination of Mexican human rights materials.

 

The last presentation “ASARO: Claiming Space in Digital Objects and Social Networks” by Suzanne Schadl and Claire-Lise Bénaud looked at the work of the Asamblea de Artistas Revolucionarios de Oaxaca (ASARO), a collective of young artists that emerged as an appendage to protests originating from the 2006 National Teacher’s Union strike in Oaxaca. During the protracted uprising, state and commercial media were hostile to the protestors. In turn, street art flourished as artists clandestinely painted and printed their resistance on city walls. Schadl and Bénaud make the case that the work of ASARO is part of a Mexican tradition of graphic art collectives producing work in the service of social justice such as that of the Taller de Grafíca Popular and harking back to the legacy of printmaker José Guadalupe Posada. According to Schadl, this art tells a story that isn’t the official story. While ASARO’s art often portrays conditions in Oaxaca (such as the print Skull Helicopter which uses calavera representations of a family and a hovering calavera helicopter to depict a raid which would trigger a reminder of the uprising), the art also looks beyond local conditions, for example in art that deals with the violence in Ciudad Juárez.

 

One of the concerns Schadl and Bénaud bring up is that this ephemeral work, much of it being published through the ASARO blog, is not being documented properly. While ASARO may be center stage in 21st century Mexican graphic arts, academic library and archive projects aimed at archiving born digital artifacts of their work linger in the peripheries. A perusal of the blog reveals striking similarities with newspaper publications like La Patria Ilustrada and Gaceta Callejera, where Posada published, printed, and circulated his graphic production. Schadl and Bénaud argue that savvy digitally focused archival projects designed to save the work of Mexican graphic arts collectives must emerge in order to retain for posterity the creativity and voices of politically and socially active artists’ collectives in contemporary Mexico.